1.19.2013

Jigsaw Falling Into Place

Greetings once more from a gratefully exhausted busybody.

In the past 8 months, I have been involved in the production of 3 shows:

  • Shakespeare's "A Midsummer Night's Dream" went up in Garfield Park, Indianapolis, IN, through the Garfield Shakespeare Company. I played Peter Quince, assisted Joe Cook in directing the production, acted as a stage manager during the performances, focused lights, designed the sound for the show, and helped build the set. Joe Cook is a man with a vision - he wants to re-establish an Indiana Shakespeare Festival, and I strongly believe, with my help, we can definitely get that off the ground.
  • I am currently in the run of Shakespeare's "Twelfth Night" at the IndyFringe. Directed by Amy Hayes, the show creates a production from an empty stage. Twelve actors perform in the round, and when they are "off stage," they sit on boxes on the circumference of the circle. The boxes contain props and costume pieces, become the set, and provide the audience with a conduit for the language - the actors' reactions can help inform the audience about what's happening on stage. I am playing Feste, and I wrote contemporary music to put with the words of Shakespeare's songs.
  • I will be assisting Joe Cook again in the direction of "The Matchmaker" by Thornton Wilder with the Garfield Shakespeare Company. I will also be playing Malachi Stack. And designing the music. And probably stage managing. But, I will also help select the next seasons' shows (hopefully "As You Like It" and "Othello"), and I will serve on the Board of Directors for the company.
Lots of theatre! That's what it's all about, after all. I also discovered, through the gloriousness that is IndianaAuditions, a local theatre called Spotlight is accepting submissions to direct shows in the 2013 - 2014 season, so I will be submitting 4 or 5 options.

I'm having a blast being back in the gaming community, as well. I have a long-term Vampire: The Masquerade Sabbat character who is getting some regional recognition. I am also on staff for a brand new Werewolf: The Apocalypse chronicle in Indianapolis. All in all, life is running pretty smoothly right now. It's an exciting time, and it's looking up.

6.04.2011

Love and Marriage

Disclaimer: I mean no offense with this post, should it find its way to those who might consider themselves a target. This is simply a collection of observations and thoughts.

I learned something today: music I would consider appropriate "wedding dance music" isn't the same as . . . well, it would seem anybody else my age. After the proper first dance, father/daughter, and mother/son dance, my first choice of song was "The Best Things Happen While You're Dancing." Quite appropriate, I thought. However, NOBODY else in the room thought so. Instead, most of the night was spent watching people slightly younger than me skip through songs. On a sound system. At a wedding reception. Weird, right? I don't think there's anything particularly wrong with that, but it seems more like the atmosphere at a dorm-room dance party than a formal, filet mignon-catered wedding reception.

I think that thought segues nicely into the meat of this discussion - my view of marriage and weddings. I can't follow any logical path from "madly in love and willing and excited to spend the rest of our lives together" to "standing in uncomfortable clothing in front of a ton of people we may or may not actually know repeating words that may or may not have particular meaning based on religion and world view followed by a short party that costs around $50,000." I just can't make any connections there.

I think a wedding should be a celebration of love and life. Christian, Jewish, Islamic, Taoist, Buddhist, it doesn't matter. The one higher power that everybody can feel daily is Love. Logically, I want my wedding to be a party. All day.

It will start around noon and take place in a large grassy area with a pool. Or two. There will be live music and hors d'oeuvres. Stupid, hilarious party games will take place. When everybody starts to get tired, we'll break for dinner. This will change, of course, but at this moment, I want YATS! to do the catering. After dinner, a clear plexiglass covering will be put on the pool and the pool will be filled with floating candles and flowers. A dedication ceremony will take place on top of the pool. I'm thinking we exchange something that we've created for each other, and then say our own vows. I'm not really sure how it legally has to work, but I would like the least amount of interaction from some third party. And preferably not a religious official. After our dedication, the party will continue late into the night.

Celebration. Not somber. 

I know there will be proponents who will say, "Well what about what SHE wants?"

Honestly, the female friends I have talked to about this - and by association, the kind of people I attract, am attracted to, and like well enough to keep company, and therefore most likely to be involved with romantically - think it's an interesting, fun, unique, awesome idea.

Thoughts? Observations? Concerns? Rants?  Please, share. I know I have.

2.12.2011

Send In the Clowns

I've been given an interesting task (sort of): list my 15 favorite showtunes and explain why I like them.  The list was easy enough, but I didn't have a good version of "Send In the Clowns" from A Little Night Music.  After some searching (read: about and hour and a half), I wasn't able to find a good version on iTunes, either.  Which led me to the question: Why is that one of my favorite songs? In what setting had I heard it where it touched me so?

It was a performance.  A performance that I remember only half-listening to.  It was a showcase, I believe at high school festival.  They wheeled a couch and something else onto the stage.  There were 2 characters, male and female.  There was a fight.  He left.  Then she sang.  She wore red.  I have no idea who she was, what school they represented, or even if it was actually the scene from A Little Night Music.  I just remember that I fell in love.  I wish I could find a version like that.

1.30.2011

Too Long

Part the First: The Mechanic and The Rite


The Mechanic is an action flick.  Pure and simple.  The pacing is adequate, acting isn't really required, people calmly walk away from explosions, a plot tries to emerge, and Handsome Rob is . . . well . . . handsome.  Oh, and boobs.  But wait, let's throw in some REVENGE, that's original!  Right.  So.  Not my cup of tea.  The best action flick I've seen in a while has been The A-Team, because Sharlto Copley, Liam Neeson, and Bradley Cooper are brilliant to watch.  Guys will like it.  Whatever.

I had some hope for The Rite.  I desperately wanted Anthony Hopkins to be spectacular.  And he was, for a while.  He remains the easiest part of the movie to watch.  The lead actor (who I don't even care enough about to look up) is definitely acting.  Sir Anthony Hopkins stands apart from the film until the climax, which arrives at a very unsteady, halting, horrible pace.  Then, he spouts the same "uncomfortable truths" that have been said in every exorcism movie.  Ever.  "You're not strong enough, something happened early in your life and you were WEAK then."  "Uncomfortable sexual comment!"  "God is DEAD!"  Yeah.  We get it.  In order to make an impact, we have to startle people.  Thanks.  You know what would have been interesting?  To actually get some feeling of who (and what) Ba'al actually was.  Or, you know, to get some basic theology correct at all . . . .  Instead, it's just a name applied to the same generic demon that happens to be in every generic exorcism . . . everything.  The best exorcism movie to date has to be Stigmata, and that's not even a demon.

If you're going to go to the movies any time soon, see any (or all) of the following:  Black Swan, The King's Speech, or Tangled.

Part the Second:  Let Me In (the novel), John Ajvide Lindqvist

The movie was amazing.  The book, as it goes, was much more incredible.

We are transported to a place where single-digit temperatures in the summer are just slightly colder than normal.  Lindqvist had me wrapped in a blanket every time I picked up the book.  The frozen (but not barren) landscape lent itself very well to a singular theme: fear.  Fear motivates the actions of every character in the book, from the bullying that leads Oskar (our main character) to some very strange and dangerous habits to the reclusive nature of a very minor character that simply witnesses a key plot event.  However, I can't seem to recall a single instance of the use of the actual word itself.  Masterful.  I was always told that the best love poems never use "love."  It stands to follow, then, that the best way to present a theme would be to never use that word.  I did kind of tired of the word "blood," though.  It just felt obvious and, sometimes, lazy.  Until the narrative follows Eli.  Then, it becomes sacred, holy, deadly, a livelihood, and a burden.  I wish just a bit more of the book (or even the [American] movie) would have followed Eli (Abby) and what she feels about her situation.  The books tips her hand slightly, but the movie comes from the innocent(ish) eyes of Oskar (Owen).

Another thing that Lindqvist pulls off very nicely is the innocence of these twelve-year-olds.  It's the kind of approach I expected from Dave Eggers' The Wild Things, but it did not turn out nearly as childish.  Childlike, yes.  Through murders, mysteries, bullying, and overall horrible and terrifying experiences, Oskar and Eli remain children.

Next month (probably):  A Collection of Wednesdays, Amy Gaither-Hayes.

1.14.2011

Green Hornet

I can get away with this one because of the Al Hirt song.  Ha.

I screened both Green Hornet and The Dilemma tonight; one because I wanted to, the other because my of my brother.  I was initially apprehensive of Seth Rogen's casting of . . . well, himself . . . as the hero, but I decided to get over it.  Or, at least, give him a chance.  I don't think I can be as lenient with Ryan Reynolds as the Green Lantern, though.  Especially with such horrible CG (scroll down).  But, Seth doesn't really make the movie - it's Kato.  I've been seeing that a lot lately, which has been a little strange: the headliners and breadwinners just aren't making the cut, but the supporting casts have been AWESOME (Kick-Ass, Inception, Iron Man 2, RED, etc.).  Weird.  Anyway, it's a superhero action flick, difficult to miss on.  Although, it has been done *cough*Spiderman*cough*, so I suppose I shouldn't be so flippant.  Clever writing (from Seth, of course), spectacular visuals, and classic gang warfare ass-kick-uery.  And very nice cars.

I had mixed feelings going into The Dilemma, though.  When I first saw the trailer, I was ready to dismiss it as Wedding Crashers meets Chuck and Larry meets Hitch.  Not that there's much variance on the theme there.  But, I decided to give it a chance when I saw that it was a Ron Howard flick.  I wasn't really disappointed.  Sure, I loathe Vince Vaughn.  Sure, Kevin James is at his funniest when he sticks to the "fat man fall down" schtick.  And the love interests aren't really big names.  Channing Tatum's performance was a bit of a surprise, and in a very good way.  Anyway, it was cute, and funny, and Ronnie tried to get all touchy-feely there at the end, and that might work on some other people.  Who didn't spend the whole movie mocking it, anyway.

Aside from Black Swan and The King's Speech, which was a strong ARTISTIC opening, this might be the strongest opening in the past few months.

1.01.2011

What Are You Doing New Year's Eve?

I have never made a New Year's Resolution before, so my first one is:

Make a New Year's Resolution.

CHECK!

Now that that's over, I have received a bit of inspiration for this year.

Second, I desire to keep up on my social networking sites a little more readily.  To do this, I have enlisted the help of a third resolution, and one that is significantly more meaty that the previous two.  I will pick a novel, a movie, and an album each month to review.  I have spent the last few hours compiling a list of novels I wish to read, but it is far too long to post in its entirety at this point in time.  Therefore, to cater to my second resolution of the year, I will post that at another time.

Thanks for listening, world.  Just wanted to warn you about what is headed your way.

10.19.2010

My Favorite Things

This post is dedicated to all of my homosexual brothers and sisters out there in the fight to prove one point: love is love, and the rest of you can go screw yourselves. It was inspired by a post I ran into on Facebook by a person that I wish I had the luck to meet - Erik Lehman, a sound design MFA student at CalArts, with whom I should be working closely. But, alas, that is quite a different update. Instead, I will link the article here, and then continue on with my post.

Amidst the data collected from OkCupid's dating service, they have a very interesting section headed "Stuff Gay People Like" and the complementary "Stuff Straight People Like," both separated out very neatly into gender.  I found my personal tastes to be atypical for a straight male and decided to share.  I'm going to list everything on the two male lists and place an [X] next to the bands, hobbies, movies, activities, and other things that I do, in fact, enjoy.

Oh, and: these are listed in order of greatest number of likes on the dating profiles to least.

Stuff Gay Men Like
[X] The Devil Wears Prada
Britney Spears
[X] Mean Girls
Kelly Clarkson
The Color Purple
Project Runway
Drop Dead Gorgeous
Running with Scissors
M.I.A.
[X] Imogen Heap
A boyfriend
[X] Lily Allen
[X] Lady Gaga
[X] The theater
[X] Katy Perry
[X] Buffy the Vampire Slayer
[X] Tori Amos
Joni Mitchell
[X] Owl City
The right guy
David Sedaris
American Idol
[X] Harry Potter
[X] Angels in America
[X] Modern Family
[X] The Perks of Being a Wallflower
Came out
Maroon 5
Mr. Right
Gossip Girl
Moulin Rouge
[X] X-Men
Six Feet Under
[X] The theatre
Justin Timberlake
Nina Simone
[X] Black Eyed Peas
[X] Michael Buble`
[X] Ella Fitzgerald
Sufjan Stevens
[X] All-American Rejects
The XX
[X] Final Fantasy
The club
[X] Rocky Horror Picture Show
[X] Cuddling
Panic! at the Disco
[X] Jason Mraz
[X] Fiona Apple
[X] Kill Bill

Stuff Straight Men Like
Band of Brothers
Poker
Cars
My boat
Saving Private Ryan
Hunting
Fishing
My buddies
Golf
Sports
The right woman
Ping pong
Engineering
[X] Rock
Working out
Playing pool
Burn Notice
A country boy
Law enforcement
Can fix anything
Breaking Bad
[X] Tom Clancy
[X] Computers
[X] Building things
Tall, dark, and handsome
[X] Apocalypse Now
Coen brothers
Queens of the Stone Age
Full Metal Jacket
[X] Guitar
Van Halen
My band
Taxi Driver
UFC

Final Tally
Likes in common with gay men:  26
Likes in common with straight men:  6

Interesting.

9.27.2010

Top 10 Favorite Movies of All Time (Thus Far)

I have deviated from my standard "song title as post title" in order to bring you a list of sorts. The post you are about to read consists of My Favorite Movies Of All Time (Thus Far), and I will include you in the process of elimination leading to a list of My Top 10 Movies. I cannot promise that they will actually be in order, for that may take years of contemplation. I also have in mind right now that I may do separate lists for my top 10 favorites and the top 10 best. Believe me, there are differences. Let's get started, shall we?

First off, I went through all of the movies that myself and my family own. Then, I studied a list I've kept for a few years now of pretty much everything that I could ever want. For this, just the "Movies" section. Obviously. In order for said film to make the list, it must have met some basic criteria:
  1. I enjoyed the movie. Enough to own it or desire to own it, at least. And, I enjoy it enough to watch it multiple times. In some cases, multiple times in a row. 
  2. The movie has (or had, in a couple of cases) some technical merit and may have been nominated for awards in such. Typically, I go for writing and acting. I really could care less about cinematography most of the time, but I almost made an exception for Inception. Almost. 
  3. Be a film in all standard recognized definitions - no concerts, no plays or staged musicals, no comedy specials, no TV or internet series, and no Dr. Horrible's Sing-Along Blog, whatever that actually is. 
The first list consisted of the following pictures:
(500) Days of Summer
Amelie
Apocalypse Now
As You Like It (Branagh)
Atlantis: The Lost Empire
Big Trouble
The Boondock Saints
The Brothers Bloom
Charlie Bartlett
Chasing Amy
Clerks
Clue
Dan in Real Life
The Darjeeling Limited
The Dark Knight
District 9
Elf
The Emperor’s New Groove
Equilibrium
Eternal Sunshine of the Spotless Mind
The Fifth Element
Forgetting Sarah Marshall
Galaxy Quest
Grosse Pointe Blank
Hamlet (Branagh)
The Hangover
Henry V (Branagh)
Howl’s Moving Castle
Hot Fuzz
I Am Legend
In Bruges
Inglorious Basterds
Jersey Girl
Juno
Kick-Ass
Kiss Kiss Bang Bang
Lars and the Real Girl
Life is Beautiful
Meet the Robinsons
Mystery Men
Nick and Norah’s Infinite Playlist
Night Watch
The Nightmare Before Christmas
Once
Pan’s Labyrinth
The Prestige
The Princess Bride
The Radioland Murders
The Rock
Saw
Saw II
Shakespeare in Love
Shaun of the Dead
The Shawshank Redemption
Sin City
SLC Punk
Slither
Slumdog Millionaire
Sneakers
The Specials
Spirited Away
Stand by Me
Stranger Than Fiction
Sunshine Cleaning
Three Musketeers (Disney)
Twelfth Night (Branagh)
Othello (Branagh)
Waitress
WALL-E
Zack and Miri Make a Porno
Zombieland

I then went through that list and highlighted what I considered the "best of the best."  Those that were cut to form this list just lacked . . . something.  Sometimes it was a bad stretch of dialogue, a section of the film that made it seem long or otherwise drew me out, some horrible technical mishap that I can't believe went through, or even just bad music.  The survivors were:
(500) Days of Summer
The Boondock Saints
The Brothers Bloom
Charlie Bartlett
Dan in Real Life
The Darjeeling Limited
The Dark Knight
Equilibrium
Grosse Pointe Blank
The Hangover
Howl's Moving Castle
Hot Fuzz
I Am Legend
In Bruges
Inglorious Basterds
Jersey Girl
Kick-Ass
Kiss Kiss Bang Bang
Lars and the Real Girl
Meet the Robinsons
Nick and Norah's Infinite Playlist
The Nightmare Before Christmas
Once
The Princess Bride
The Radioland Murders
Saw
Shakespeare in Love
Shaun of the Dead
The Shawshank Redemption
Sin City
SLC Punk
Slither
Slumdog Millionaire
Spirited Away
Stranger Than Fiction
Sunshine Cleaning
Waitress
WALL-E
Zombieland

Next, I went through and distinguished my absolute favorites and those that I thought were technically spectacular.  Most are on both lists, but a few made it to either one or the other.
Favorites:
(500) Days of Summer
The Boondock Saints
Charlie Bartlett
The Darjeeling Limited
Grosse Pointe Blank
Howl's Moving Castle
Hot Fuzz
Jersey Girl
Kick-Ass
Kiss Kiss Bang Bang
Meet the Robinsons
Nick and Norah's Infinite Playlist
The Nightmare Before Christmas
Once
Shakespeare In Love
The Shawshank Redemption
Sin City
SLC Punk
Stranger Than Fiction
Waitress
Zombieland

Best:
(500) Days of Summer
The Darjeeling Limited
Grosse Pointe Blank
Howl's Moving Castle
Kiss Kiss Bang Bang
The Nightmare Before Christmas
Once
Shakespeare In Love
The Shawshank Redemption
Sin City
SLC Punk
Slumdog Millionaire
Stranger Than Fiction
WALL-E
Zombieland

Aha!  21 and 15!  That's actually less than I thought it would be at this level.  The next step is My Top 10 Movies of Right Now, which shall be drawn from the previous 2 lists.  I will try to put them in order, and give some notes as to why each particular film rates as it does.  Here goes nothing:
  1. Kiss Kiss Bang Bang
    Robert Downey, Jr., Val Kilmer.  Great. Freaking. Film.  Amazing dialogue, amazing acting, shot well, action packed, and very aware that it is a film.  This one I can watch every night and love it every time.
  2. Grosse Point Blank
    John Cusack, Minnie Driver, Dan Aakroyd, Jeremy Piven, Hank Azaria.  This movie blew my mind, and I spent the entire duration of my exposure with my mouth open.  I alternate this with #1 on a viewing schedule.  Also, spectacular music.
  3. (500 Days of Summer)
    Joseph Gordon-Levitt, Zoe Deschanel, Chloe Moretz.  Another "great use of music" flick.  Also the second of the top 3 to use narration.  The non-linear presentation is very interesting, and a random musical number to celebrate sex is always a plus.  Also, Chloe Moretz is the coolest little sister ever.
  4. Howl's Moving Castle
    Hayao Miyazaki/Disney joint; Christian Bale as the voice of Howl.  Miyazaki's films never cease to amaze me, but this one stands out on top for me.  It may be because Howl appears to be some kind of were-raven (near and dear to my heart), or that his fire is voiced by Billy Crystal.  Either way, a must-see movie, even if it is animated.
  5. Shakespeare In Love
    Written by Tom Stoppard; Gwyneth Paltrow, Geoffrey Rush.  Romeo and Juliet and Twelfth Night rolled into one.  This movie follows the creation of Romeo and Juliet based on Will's current love affair, a girl who poses as a boy to audition for a play.  Probably the most romantic movie you will ever see, and might cause you to change your mind about Romeo and Juliet being highly overrated (though I still agree overDONE).
  6. Stranger Than Fiction
    Will Ferrell, Emma Thompson, Maggie Gylenhaal, Dustin Hoffman, Queen Latifah.  This is such an interesting, well-put together story.  With a surprisingly amazing, strong cast.  And amazing graphics and GUI effects.  Although I do support my own opinion about making the end a bit different, and that's probably why it's not in the top 5. 
  7. Hot Fuzz
    Simon Pegg, Nick Frost, some cameos from Simon Pegg/Nick Frost regulars.  Between Hot Fuzz and Shaun of the Dead, Hot Fuzz came in slightly higher only because there is one scene in Shaun of the Dead that I think could have been left out of the movie and it wouldn't have suffered at all.  None of the movies on this list have that tiny little flaw.  Also, it's a better murder/mystery than Shaun of the Dead is a zombie flick.  Besides, I already have Zombieland up here.
  8. Jersey Girl
    Ben Affleck, Jennifer Lopez (kinda), Liv Tyler, George Carlin, tons of other Kevin Smith regulars.  This alternates between a romance, comedy, and father-daughter tale.  Tragedy strikes quickly and Ben is left with a daughter to raise on his own.  He moves back to Jersey with his father, George Carlin, and life goes on.  Touching, sweet, and a scene from Sweeney Todd.  Brilliant.
  9. Zombieland
    Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin.  A zombie movie that knows it's a zombie movie.  Awesome use of graphics (though the CG blood leaves something to be desired) and spectacularly written with possibly the best 1) intro/opening credits segments ever and 2) cameo.  Ever.  Seriously.  Own it.  Now.
  10. Once
    Glen Hansard, Marketa Irglova.  Also known as The Swell Season.  This primarily makes the list because of the music, but the actors' lack of technique and experience allow for a naturalistic tone to every word they speak and every gesture they make.  Watch this with someone you like and you will fall in love immediately.  Trust me, it's happened.  It has probably 4 or 5 of my Top 10 Favorite Songs on it, though I don't know if I'll get around to making that list.

9.18.2010

A Suicide Blazon - Draft 1

She wore a simple dress. His favorite. It was black and had slits all the way up to her toned, soccer-sculpted thighs, which she had shaved. She didn't have on shoes, not his favorite heels with black leather laces that started at her toes and wound themselves around her sleek calves. Calves scarred with memories of long days in the woods behind her grandfather's house. An unbidden and unwelcome smile sneaked onto his face when his eyes caught up to her knee; they wouldn't continue until they had taken in the scar, another remnant of her favorite past time. The scar provoked that unwanted smile in response to “the button,” a place on her knee where she couldn't feel anything, just a little bit of pressure. She had laughed whenever he touched it.
The dress hugged a little more snugly than when she had bought it. His senior prom, her first year of college. He wore a zoot suit, she wore that little black dress, not wanting to outdo him However, eyes followed her wherever she went. She wasn't wearing anything under it that night, either. And, again, she had shaved.
She still had delicate wrists. It was a wonder that the recoil from the single round hadn't broken one. Her arms had been hard at work, putting her physical education degree to use. She complained about gaining weight, even though she knew that most of it was muscle. She wasn't fat, she had never been fat. She had been perfect. Still was, lying in that still-expanding burgundy pool.
Her hair. His eyes stopped again at her hair – her blond, red, brown, black, white, silver, yellow, indigo hair – refusing to wander without taking in every tangled curl. She loved it when he ran his hand through it lying next to her in their queen-size pillow-top bed, their first purchase together. He loved it, too, and made it a point for his fingertips ti find their way to her perfect, wavy strands whenever possible. He closed his eyes, remembering the scent of her shampoo. Lavender and sandalwood. She didn't like it, but used it because he had mentioned once that it was his favorite. Still was, even mingled with the copper taste of wood incarnadine.
Her various smiles, frowns, sighs, and laughs fluctuated the pigment in her iris from blue to turquoise to gray to green, always remaining the colors of the sea. Now, black. The storm has passed.
He let a couple of tears wet his cheek before he set to work.
He grabbed the gun, holding it in both hands, touching the grip to his face, breathing it in. He placed it between his jeans and the small of his back, draping his shirt over the handle that still held her warmth.
He pulled it out quickly, placing the muzzle against his temple, intent on following her into the dark. Not his phrase, but he couldn't help but think of her favorite song.
His arms dropped just as suddenly, his body hunched over on itself and heaved silently with sobs. His knees hit the newly-finished wood floor and his arms fell flaccid to his sides. He lost the grip on the gun and it landed next to her unpainted toes. The rest of his body continued to the floor, his forehead smacking the wood hard. He couldn't tell if he was dizzy from the impact or sudden surge of emotion, but he let it work its way out through his breath.
Twenty minutes passed before he could do anything else. He grabbed the gun, tucking it back against his skin. He went to the fridge. Four bottles of Corona. In order to be convincing, he'd have to use them all. He checked the freezer. A half-empty bottle of vodka. He didn't know she'd bought it. That would have to go, too. He opened one of the Coronas, swallowed half of it, then went back to her body.
Jaw clenched, he took the butt of the pistol and slammed it as hard as he could onto the right side of his face. Left-handed swing, right-sided blow. Then, he grabbed her left hand as hard as he could, trying to leave bruises. He knew they would be able to tell that her injuries were caused post-mortem, but if his plan worked, no one would check too thoroughly. He touched the Corona to her lips and then finished the bottle himself and cracked open the vodka.
Eric paced back and forth in the now-quiet second-floor apartment. He was sure that neighbors had heard, police had been called, and investigations had been initiated. He took deep pulls from the frozen bottle as he eyed the suddenly unfamiliar room. The shelf of books, half of them his. The case of DVDs, all of them hers. Hardwood table with four different chairs. Sleeper couch for late-night party stragglers, and a chest containing extra sheets for those partiers who couldn't hold their liquor. He finished the vodka, hoping to black out before the sirens arrived.

7.26.2010

Movies

(First of all, I had to think really hard to come up with a title that was still a song name . . .)

This is going to be about what I look for in movies, and maybe a bit rant-y, too.

I don't necessarily want a movie to entertain me.  Sure, it's nice every now and then to watch a popcorn-eater or mind-bubblegum.  But, not all the time.  I want something that makes me think, something that challenges what I believe, and something that contains a well-told story.  Everything in the film should work together to create that story - good writing, good direction, good acting, good sound, good soundtrack, good cinematography . . . all that jazz.  So I tend to surprise people when I say I didn't really care for Avatar (WHAT?) or Inception (Blashphemy!).  There was just something in each of those that didn't really give them a leg to stand on.  Avatar relied solely on visuals, but told basically the same story as Dances with Wolves or any other empire/colonial-condemning story.  Inception had an outstanding cast (top billing excluded), but the story was transparent, trite, masturbatory, and predictable.  Also, the soundtrack sucked, which is surprising because I tend to like Hans Zimmer.  I did enjoy the mixing they pulled off with that Edith Piaf tune, but everything else sounded like exactly the same song.

Some of the movies I've found to be inspiration lately are films that haven't been in the mainstream and haven't received attention outside of - dare I say it - hipster and scene circles, like (500) Days of Summer, Nick and Norah's Infinite Playlist, and for some reason, children's movies.  That may be because they aren't striving to be pretentious, high-budget showcases for expensive equipment and effects.

I don't really seem to know anyone who agrees with me on any of these points, and that has provided a bit of difficulty lately.  I'm part of a group that's going to put together a short film for a competition, and everyone seems to want to string a bunch of pop culture references and clever one-liners together enough to fill about four minutes, but I can't get a decent story out of them.

Conflict.  That's what drives stories.  Drama.  Suffering.  Pain.  Catharsis.  Aristotle wasn't wrong about this one.  I don't think he foresaw flicks like Dude Where's My Car?, but it still follows (very basically) his analysis of poetry.  Something happens to the characters, they get over it, the audience leaves feeling something, whether that be side-splitting pain from sheer ridiculousness or amused relief that the car was found and the weird German guys saved the planet.

I guess I'm looking for my movies to behave like literature.  That's where they started, after all.  Poetry led to the play led to the screenplay.  And everything in between.